Netflix’s thriller Unseen tracks an inconspicuous Zenzi Mwale’s (Gail Mabalane) perilous descent from cleaner to killer. On a mission to uncover her missing husband’s whereabouts, Zenzi goes down a dangerous and destructive path littered with sinister characters who want to exploit her for their nefarious schemes.  Mabalane delivers an urgent performance as the increasingly desperate, yet determined Zenzi.

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Unseen has reached #3 on the Netflix global ranking on 2 April 2023

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Original Score composed by Kyle Shepherd

Seeking revenge for her tragic past, a mysterious woman embeds herself in a powerful family who possess a global beauty empire, as well as dark secrets.

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Original Score composed by Kyle Shepherd

As the Kalahari Desert faces a worsening dry season, prides, packs and herds of all kinds must rely on the power of family to survive.

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Additional Score composed by Kyle Shepherd

Kyle Shepherd Scores the second season of the international hit series.Set in South Africa, Blood & Water tells the gripping story of Puleng Khumalo and the scandalous lives of Cape Town's elite. Puleng is a 16-year-old girl who transfers to Parkhurst College after a chance encounter with someone who she believes is her older sister who was abducted at birth. What follows is six episodes of drama, controversy and shocking plot twists

Theo's world is rocked when one morning, he wakes up next to his wife's murdered corpse with no recollection of what transpired and all evidence suggesting that he's killed her.

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Film Score composed by Kyle Shepherd

Waiting for the Sibyl, comes from an invitation from the opera house to make a companion piece to the 1968 piece by the American artist Alexander Calder, called Work in Progress. The 1968 piece is a beautiful, whimsical almost-happening of the era, with mobiles slowly turning on the stage, and groups of bicycle riders; but the signature mobiles of Alexander Calder are the heart of the piece. In responding to the invitation to do a second half of the evening, I wanted something that also had a sense of turning, of revolution, and of the lightness of the Calder. I was reminded of the image of the Cumaean Sibyl. My understanding of her story was that she lived in her cave near Naples; people would come to her with questions about their fate, and she would write the answers on oak leaves. There would be a pile of oak leaves at the front of her cave and people would come to get their answers. But inevitably there would be a wind which blew the leaves around – so you never knew if you were getting your fate or somebody else’s fate. It’s a beautiful metaphor of not being able to predict our futures. This idea of leaves blowing and turning, and uncertainty, became the connecting point for Calder’s moving, turning mobiles and something that grounds the piece with that turning but hooks into questions that I’m interested in today.

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Sibyl has won the Laurence Olivier theatre award , 2023

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Music by Kyle Shepherd and Nhlanhla Mahlangu

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